Career Highlights

• Pop & Recorded Music: Composed the French #1 hit "Dieu m’a donné la foi" and produced albums for leading artists such as Jenifer and LinkUp, featuring M. Pokora.

• Film & Television: Main composer for the long-running series La Crim’ and co-scorer of the feature film Last Knights, featuring Morgan Freeman and Clive Owen.

  Composer of the German #1 feature film Chantal in Fairyland, featuring Jella Haase, directed by Bora Dagtekin

• Trailer Music: Composed and produced music for major global campaigns, including Blade Runner 2049, Wonder Woman, and Mission: Impossible - The Final Reckoning

• Live Performance: Performed over 1,000 live broadcasts on Canal+’s Nulle Part Ailleurs as part of the house band, backing world-class artists like Seal, Tom Jones, and Vanessa Paradis.

• Music Director: Véronique Sanson, Tour 2005Véronique Sanson toured in 2005, featuring a notable performance at the Nikaia in Nice, France, on April 2, 2005. The tour included performances in support of her live material, with recordings available from this era, including performances at the Olympia in Paris.

Creative Philosophy

The sonic identity I've built over time is rooted in a blend of soul, funk, psychedelic pop, and classical influences.

I’ve never met a music format I didn’t love. Scoring a film, producing a band, composing a trailer, or writing a thirty-second jingle—each brings its own unique challenge and creative joy. I thrive on this variety; every project is a new puzzle to solve with sound.

My approach to these puzzles is naturally filtered through a lifetime of navigating three distinct cultures. I draw on German precision for structure and technical craftsmanship, French nuance for emotional texture and subtlety, and American boldness for narrative drive and innovative energy. This unique blend isn’t just a background note—it’s my active toolkit. It allows me to connect authentically with a wide spectrum of stories and audiences, whether the project calls for the introspective mood of an arthouse film or the immediate hook of a global ad campaign.

So, why pour the same heart into a feature film as into a radio spot?
Because I hold a fundamental belief: at its core, music is music.
It is the most direct language of emotion we have. Its true purpose, in any format, is to create a moment of connection—to resonate, to move, to stick. That’s the mission I bring to every single project: to craft not just music, but the perfect sonic moment for what you’re creating.

Let's make something that resonates.